Since its emergence in the French context, academics and activists have clashed over the definition of “intersectionality,” but also intramurally within those spaces where questions of legitimate forms of knowledge remain a point of contention. In this paper, I will map the paradoxical circulation of intersectionality by focusing on how the concept participated in the shaping of both alliances and antagonisms amongst and between activist organizations, academia, mainstream political groups, and the French State. This same intersectionality, which has given birth to significant intellectual channels of debate among scholars, feminists, and anti-racist activists (but also between scholars and activists), is nevertheless presented as a homogeneous and unified object. There exists another paradox: anti-racist and leftist political activists criticize intersectionality, arguing that it can be co-opted by neoliberalism or femonationalism. Yet the reality is that the reconfiguration of reactionary discourses in France has recoded intersectionality to mean “Islamist fundamentalism/racialism/anti-universality.”

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Hello 2023 avec 💫bell hooks🖤 pour parler de cinéma, et du regard contestataires [ oppositonal gaze] des femmes Noires face aux représentations à l’écran. Un concept développé en 92 dans l’essai The Oppositional Gaze: Black Female Spectators, qu’on retrouve dans le livre Reel to Real. Race, class and sex at the movies paru en 1996

“Spaces of agency exist for black people, wherein we can both interrogate the gaze of the Other but also look back, and at one another naming what we see. The ‘gaze’ has been and is a site of resistance for colonized black people globally. Subordinates in relation of power learn experientially that there is a critical gaze, one that ‘looks’ to document, one that is oppositional. In resistance struggle, the power of the dominated to assert agency by claiming and cultivating ‘awareness’ politicizes ‘looking’ relations-one learns to look a certain way in order to resist.” bell hooks


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